I borrowed this book from the library, expecting not to like
it. I was not disappointed. (In the interest of full disclosure, I will say
right now that I am not a feminist.)
It was well-researched. However, Lepore made sure we knew
how well-researched it was. She used paragraphs to say something that could
have been said in one sentence. I personally did not need to know the whole
life stories of William Moulton Marston, Elizabeth Holloway Marston and Olive
Byrne.
I kept reading out of morbid curiosity to see how bad things
would get. I learned why things that bothered me in the first volume of the
Wonder Woman Omnibus (e.g., women who have been freed from slavery still
wanting to wear chains) were there. Marston was into bondage and believed “The
secret of woman’s allure is that women enjoy submission – being bound.” He
insisted that every story included Wonder Woman being bound.
Among the women who inspired Wonder Woman were Marston’s
wife, Elizabeth, his mistress, Olive, and Olive’s aunt, the infamous Margaret
Sanger. (Although to be fair, I have read in a few different sources that
Sanger eventually abandoned her support for abortion. I have not read anything
one way or the other if she also abandoned her racism and support for
eugenics.)
Once I got past Lepore’s problem of showing us all her
research (doing lots of research – good; showing us all her research in her
book – bad), I do not find a lot of admirable qualities in the Wonder Woman
Marston created. I will take Silver Age Wonder Woman over Golden Age Wonder
Woman any day of the week. Men were frequently depicted in the Golden Age
Wonder Woman as brutes who treat women as chattel. It was not about female
equality, it was about female superiority. Even Steve Trevor, in a nightmare
Wonder Woman had, expected a no longer super-powered Wonder Woman to stay home
and take care of him.
Marston was a classic beta male. He could not keep a job,
his wife wanted children but did not want to take care of them. Her job
provided financial support for the family. His mistress stayed at home to take
care of the children. Olive claimed to be a widow and that her children were
fathered by her late husband, not by Marston, as was the reality. There were
four children, two by his wife, two by his mistress. All of which was kept
under wraps until recently.
The infamous Fredric Wertham despised comic books, believing
them to be a negative influence on children. Most of his subjects were
reformatory residents, which obviously skewed his results. He already decided
what he wanted to find – and found it. Wonder Woman was a major target. Robert
Kanigher, who took over Wonder Woman after Marston, was not a fan of Marston’s
Wonder Woman and did whatever he wanted with her. His Wonder Woman became a
romance editor. Eventually a balance was struck between Moulton’s version and
Kanigher’s version.
The Secret History of Wonder Woman was not a particularly
enjoyable read, but it did give me insight into how feminists view things. It
was too long, somewhat boring and plodding. It was not an effective way to get
across her message, even if it had been a message I approved of. I cannot recommend this book under any
circumstances. Two thumbs way, way down on this one.
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